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The 11th Hour | 2007 | 92 mins | Documentary | 1 | Comparisons to Al Gore's Oscar-winning slide show will be inevitable, but there's a key difference between the two documentaries. An Inconvenient Truth was aimed at the PBS set, while Leonardo DiCaprio's The 11th Hour combines a traditional structure with a more MTV-friendly pace. Of course, neither was made by these public figures. Davis Guggenheim directed the former, while Nadia Conners and Leila Conners Petersen are behind the latter. DiCaprio serves as producer, co-writer, and narrator (the three previously worked on the short films Global Warming and Water Planet). Their first feature combines a diverse array of interviews with a dizzying variety of images, both soothing and alarming (droughts and hurricanes vs. serene sunsets and playful polar bears). Speakers include former Soviet leader Mikhail Gorbachev, Cambridge physicist Stephen Hawking, and progressive CEO Ray Anderson, hero of The Corporation. Granted, there's no obvious youth appeal in these subjects, but the presence of the Titanic heartthrob-turned-Scorsese star, who keeps his on-screen narration to a tasteful minimum, plus atmospheric tracks from Sigur Rós, Coldplay and Mogwai seems likely to attract a younger crowd. And that seems to be the point, since The 11th Hour is, at heart, a call to arms. It begins by taking a look at the causes of global warming before exploring solutions, from eating organic to building with solar power. There isn't a ton of new information for environmental experts, but DiCaprio and his team have assembled a thought-provoking primer for neophytes and potential activists. --Kathleen C. Fennessy | |||||||||
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28 Days Later | 2003 | 113 mins | Drama; Horror; Thriller | 1 | Hailed as the most frightening film since The Exorcist, acclaimed Director Danny Boyle's visionary take on zombie horror "isn't just scary�it's absolutely terrifying" (Access Hollywood). <P>An infirmary patient awakens from a coma to an empty room�in a vacant hospital�in a deserted city. A powerful virus, which locks victims into a permanent state of murderous rage, has transformed the world around him into a seemingly desolate wasteland. Now a handful of survivors must fight to stay alive, unaware that the worst is yet to come� | |||||||||
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28 Weeks Later | 2007 | 100 mins | Horror; Science Fiction; Thriller | 1 | 28 WEEKS LATER is sequel to the successful 28 Days Later. The film pick up six months after the Rage virus has spread throughout the city of London. The United States Army has restored order and is repopulating the quarantined city, when a carrier of the Rage virus enters London and unknowingly re-ignites the spread of the deadly infection, wreaking havoc on the entire population. The virus is not yet dead, and this time it's more dangerous than ever!! |
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30 Days of Night | 2007 | 113 mins | 1 | David (Hard Candy) Slade directs this nerve-jangling adaptation of the popular graphic novel series about a mob of vampires that overruns a remote Alaskan town in the grip of 30 Days of Night. Josh Hartnett and Melissa George are the film's de facto heroes (he's the stoic town sheriff and she's his estranged fire-marshal wife) but the picture's real MVP is Slade's camera (along with cinematographer Jo Willems), which careens across the town's snowy landscape to detail the vampires' horrific assault on its inhabitants, which are quickly pared down to a hardy few. The script, co-written by the source material's creator, Steve Niles, along with Pirates of the Caribbean's Stuart Beattie and Hard Candy's Brian Nelson), proudly wears its influences on its crimson-stained sleeve (Bram Stoker's Dracula, natch, but also Salem's Lot, Night of the Living Dead, and John Carpenter's version of The Thing) and boils down the graphic novels to a series of tense and extremely bloody standoffs between Harnett and George's band of survivors and the vaguely Slavic and ferocious bloodsuckers led by Marlow (a feral and frightening Danny Huston). And if the characters seem stock and the finale begs suspension of disbelief, the set pieces leading up to it are sufficiently supercharged with suspense and violence to please most horror fans. Standouts in the supporting cast are Ben Foster as the film's Renfield figure and Mark Boone Junior; the disturbing score by Brian Reitzell also merits a mention. --Paul Gaita Stills from 30 Days of Night (click for larger image)
Beyond 30 Days of Night
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300 | 2007 | 117 mins | War; Action; History | 2 | The epic graphic novel by Frank Miller (Sin City) assaults the screen with the blood, thunder and awe of its ferocious visual style faithfully recreated in an intense blend of live-action and CGI animation. Retelling the ancient Battle of Thermopylae, it depicts the titanic clash in which King Leonidas (Gerard Butler) and 300 Spartans fought to the death against Xerxes (Rodrigo Santoro) and his massive Persian army. Experience history at swordpoint. And moviemaking with a cutting edge. DVD Features: |
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Ace Ventura: Pet Detective | 1994 | 1 | ||||||||||||
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Ace Ventura: When Nature Calls | 1995 | 90 mins | Comedy; Mystery | 1 | Pet detective Ace Ventura comes out of retirement to investigate the disappearance of a rare white bat, the symbol of an African tribe. | |||||||||
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The Adventures of Buckaroo Banzai Across the 8th Dimension | 1984 | 103 mins | Adventure; Romance; Comedy; Sci-Fi | 1 | Adventurer/surgeon/rock musician Buckaroo Banzai and his band of men, the Hong Kong Cavaliers, take on evil alien invaders from the 8th dimension. | |||||||||
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Aeon Flux - The Complete Animated Collection | 221 mins | 3 | ||||||||||||
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Aftershock: Earthquake in New York | 1999 | 170 mins | Action; Thriller | 1 | New York, the city that never sleeps, is trapped in a nightmare of horror and destruction when a massive earthquake rocks the unsuspecting city... | |||||||||
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Akira | 1987 | 124 mins | 1 | One of the most influential examples of anime, Akira is based on the manga (comic book) by Katsuhiro Otomo. The story is set in the post-apocalyptic community of Neo-Tokyo. Tetsuo is a fiercely individualistic member of a scroungy motorcycle gang. The despotic authorities, the robot-like police, and even the cycle gang pursue Tetsuo when he's bombarded with a new, insidious energy source that has rendered him telekinetic. Budgeted at eight million dollars, Akira has become a cult favorite in the States thanks to generous midnight-movie exposure and its availibilty on video and cable TV. — Hal Erickson | ||||||||||
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Alexander - Director's Cut | 2004 | 167 mins | 2 | If you're determined to spend three hours with Oliver Stone's take on the personal and military struggles of ancient Macedonian conqueror Alexander the Great, you should know that Alexander (Colin Farrell, in blonde disarray) is not half so much fun as mom Olympias (Angelina Jolie) or his future wild bride Roxane (Rosario Dawson). Indeed, it's the women in Alex's life who provide the movie's most satisfying action: Jolie, sporting some kind of Russian accent, wraps herself in snakes while hissing promises of Farrell's destiny; Dawson disrobes and threatens to cut Farrell's throat before shtupping his brains out. The rest is leaden history, supposedly novel because it showcases epic battle sequences and addresses Alexander's great love for his buddy Hephaistion (Jared Leto). But the man-on-man romance is limited to teary hugs, and the battles are indecipherable messes-you have to wait for Anthony Hopkins' narration to tell you what happened (in fact, you have to wait for Hopkins' narration to tell you everything that happens). There's some spectacle on display but, alas, not much that is truly spectacular. --Steve Wiecking | ||||||||||
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Alice Cooper: Brutally Live | 2000 | 105 mins | 2 | |||||||||||
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Alice Cooper: Welcome to My Nightmare | 1975 | 84 mins | Documentary; Music | 1 | ||||||||||
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Alien | 1979 | 117 mins | Horror; Sci-Fi; Thriller | 2 | A mining ship, investigating a suspected SOS, lands on a distant planet. The crew discovers some strange creatures and investigates. | |||||||||
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Aliens | 1986 | 137 mins | Action; Horror; Sci-Fi; Thriller | 1 | The planet from Alien (1979) has been colonized, but contact is lost. This time, the rescue team has impressive firepower, enough? | |||||||||
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Alien³ | 1992 | 114 mins | Action; Drama; Horror; Sci-Fi; Thriller | 1 | Ripley continues to be stalked by a savage alien, after her escape pod crashes on a prison planet. | |||||||||
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Alien: Resurrection | 1997 | 109 mins | Action; Horror; Sci-Fi; Thriller | 1 | 200 years after her death, Ellen Ripley is revived as a powerful human/Alien hybrid clone who must continue her war against the Aliens. | |||||||||
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Alien Vs. Predator : AvP | 2004 | 101 mins | Action; Horror; Sci-Fi; Thriller | 1 | During an archaeological expedition in Antartica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realise that only one species can win. | |||||||||
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Aliens of the Deep | 99 mins | 1 | James Cameron takes another foray into the depths with a new deep-sea documentary. Following the shipwreck of Ghosts of the Abyss, Cameron focuses his abundant energies on where life is not powered by sunlight. These implications are taken a bit further, thanks to some dandy effects, on how life may develop in the ice-covered waters of Jupiter's moons. Some of the newly seen creatures are truly amazing: a fish with feet, shrimp that can swim between boiling hot steam and icy currents. Plus there's a cute creature that looks like something from an animator's portfolio: an albino octopus with fins. Like Ghosts, this film is significantly different on DVD. Both were presented in IMAX 3-D but are only 2-D on DVD; however, also included are extended versions, doubling the original's 45-minute run time. The added footage gets you more in-depth coverage of the crew and the missions. Cameron is also an expert host, showing his enthusiasm for the project ("I love this stuff!") while letting his younger scientist co-stars lead the way. (Ages 6 and older) --Doug Thomas | |||||||||||
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Aliens vs. Predator - Requiem | 2007 | 101 mins | Horror; Science Fiction; Action | 1 | Packed with adrenaline-pumping action and heart-stopping suspense, this spectacular sequel escalates the war between sci-fi's scariest movie icons! On Earth everyone can hear you scream, especially when a horrifying PredAlien crash-lands near a small Colorado town, killing everyone it encounters-and producing countless Alien offspring-with terrifying efficiency. When a lone Predator arrives to "clean up" the infestation, it's an all-out battle to the death with no rules, no mercy, and hundreds of innocent people caught in the crossfire. As the creature carnage continues, a handful of human survivors attempt a daring escape, but the U.S. government may be hatching a deadly plan of its own... |
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Alone in the Dark | 2005 | 96 mins | Horror; Thriller; Action | 1 | As another entry in the video-game-to-movie genre, Alone in the Dark certainly delivers in terms of its splattering gore and number of things that get shot or blown up with the kind of arsenal familiar to any fan of games that allow the player to shoot or blow things up. You could argue that some game-based movies have been big successes--gauged either by audience appeal or box office scores. Even though a lot of hardcore gamers probably won't care, Alone in the Dark is not of that ilk. At least the Resident Evil and Tomb Raider series had some interesting characters and locations (not to mention sexy stars). But Alone in the Dark is crippled from the first by a mundane setting of caves, laboratories, and street-fighting backgrounds as well as a cast (including Christian Slater, Stephen Dorff, and Tara Reid) that couldn't be less interested in the overly complex plot. The absurdity starts right away with a long expository pre-title text crawl that carries all the gravitas of a "Monty Python" sketch intro. The gist of the plot has a group of scientists, special-ops military guys, and paranormal freaks and geeks investigating evil creatures that were once harnessed by an extinct subset race of Native Americans. Unleashed again, the creatures must be destroyed, which is where the video game blasting and attendant gore comes into play. Considering the cult following the game series carries (the first installment is over a decade old), Alone in the Dark could find a nice little life on DVD, but theater-goers might discover the title's a little too literal. --Ted Fry | |||||||||
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American Psycho | 2000 | 102 mins | Comedy; Drama; Horror; Thriller; Suspense; Crime | 1 | Patrick Bateman (Christian Bale) is living the yuppie American Dream. He has a beautiful girlfriend, great job, lots of friends, belongs to all the right clubs but something is brewing beneath the showy exterior. Homicidal tendencies flare when Patrick realizes that no matter what he does, he is just another face in a suit to everyone around him, to those closest to him. As the movie progresses onward his bloodlust grows and the murders become more rampant and random - to the point where he realizes that he has become a psychopath. At his breaking point, he confesses for redemption and punishment and release from the guilt and he realizes that all of it was in his mind and that he may really be as crazy as the world around him. | |||||||||
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An Inconvenient Truth | 96 mins | 1 | With the fate of our planet arguably hanging in the balance, An Inconvenient Truth may prove to be one of the most important and prescient documentaries of all time. As he jokingly refers to himself, "former President-elect" Al Gore felt an urgent personal calling to draw attention--as he had been doing throughout his political career--to the increasingly desperate crisis of global warming, and this riveting documentary is basically a filmed version (by respected TV director Davis Guggenheim) of the PowerPoint lecture that Gore has presented (by his own estimate, well over 1,000 times) to attentive audiences all over the world. Considering Gore's amiable, low-key approach to charts, graphs, statistics, and photographs that leave no room for doubt regarding the reality (not "theory") of global warming as Earth's ultimate environmental crisis, many viewers will be surprised by just how fascinating and convincing this no-frills film really is. As we learn about the milestone events that shaped his character (including his sister's death and young son's near-fatal injuries after being struck by a car), Gore sheds the stiff demeanor of his 2000 presidential campaign and impresses us as a man with a mission, transcending partisan politics with an impassioned plea for common sense, ethical forthrightness, and passionate purpose in reversing the harmful effects of global warming through personal and political responsibility. Some may accuse Gore of exploiting global warming as a Democratic platform, but his honest conviction regarding this "inconvenient truth" (i.e. overwhelming evidence of global warming that's troublesome to those whose interests are threatened by Gore's irrefutable message) is likely to silence all but the most obtusely stubborn detractors. By taking the high road and discreetly avoiding a full-on assault against the George W. Bush administration (which has steadfastly avoided "the inconvenient truth" with obfuscating spin control and policies favoring the oil industry), Gore effectively rises above political differences with a stern but hopeful eye toward a better future for our children.--Jeff Shannon |
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Anaconda | 1997 | 89 mins | Thriller; Horror; Adventure | 1 | A "National Geographic" film crew is taken hostage by an insane hunter, who takes them along on his quest to capture the world's largest - and deadliest - snake. | |||||||||
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Anacondas: The Hunt for the Blood Orchid | 2004 | 97 mins | Adventure; Horror; Thriller | 1 | A scientific expedition sets out for Borneo to seek a flower called the Blood Orchid, which could grant longer life. Meanwhile, they run afoul of snakes and each other. | |||||||||
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Andy Griffith Show - 16 Episodes | 1960 | 2 | ||||||||||||
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Andy Griffith Show, The | 1 | 4 Episodes & 8 Commercials Welcome back to Mayberry! Pull yourself up a rockin' chair and get ready to enjoy a visit back in time to America's favorite hometown of Mayberry, N.C. Join Andy and all his friends and family for down-home, wholesome humor. Episodes: Andy Meets Miss Crump English Butler Works For Andy Gomer Saves The Day Barney, The Matchmaker |
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Angel - Season 1 | 6 | He's hunky, he's brooding, he's a do-gooder, and he was Buffy's first boyfriend. Angel, the tortured vampire destined to walk the earth with a soul, got his own series after three seasons on Buffy the Vampire Slayer and did what any new star might do: he moved to L.A. (the City of Angels--get it?) and set up shop. Angel (co-created by Buffy mastermind Joss Whedon) finds the titular vampire (David Boreanaz) as a kind of supernatural private investigator, fighting evil one case at a time and, like his ex-girlfriend, keeping the world from getting destroyed by vengeful demons and such. A darker, more film noir version of Buffy, Angel lacked the peppy humor that permeated Sunnydale but more than made up for it in its soul-wrenching gravitas, and it elevated Boreanaz to leading-man status, a role he filled out ably and then some. Initially, the stoic vampire was paired with Irish demon Doyle (the late Glenn Quinn) and fellow Sunnydale transplant Cordelia (Charisma Carpenter), but Angel finally found its footing when Doyle was dispatched (giving his powers of precognition to Cordelia) and replaced by Buffy alum Wesley (Alexis Denisof), a fallen watcher who, like his friends, was hoping for a new start in L.A. However, pesky law firm Wolfram and Hart (a front for the demon mafia, as it were) reared its ugly head and discovered Angel's presence, thus setting the stage for a battle of good and evil--and if you're a regular Joss Whedon fan, you know that it's a never-ending war. This first season features guest appearances by various Buffy characters, including werewolf boy Oz (Seth Green), rogue slayer Faith (Eliza Dushku), deliciously evil vamp Darla (Julie Benz), and Buffy herself (Sarah Michelle Gellar), all of whom helped get the show off and running in style. --Mark Englehart |
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Angel - Season 2 | 6 | The second season of Angel saw the cult vampire show finally stand on its own from Buffy the Vampire Slayer, assembling all the members of the show's core cast, transferring the action to a fashionably run-down L.A. hotel, and bringing in a few Buffy characters from Angel's history to further establish the moody vampire's own mythology. Moving their Angel Investigations to posher digs, Angel (David Boreanaz), Cordelia (Charisma Carpenter), and Wesley (Alexis Denisof) were soon joined by street fighter (J. August Richards)?-and by street fighter, of course we mean demon street fighter. But just as this group was solidifying, up popped Angel's old love, Darla (the fantastic Julie Benz), freshly arrived in L.A. from a hell dimension? just in time to be turned into a vampire again by her old cohort, Drusilla (Juliet Landau), and lure Angel into abandoning his newly formed team. It was the best and worst of times for Angel in its second year, for while the basis was being set for the show's stellar third and fourth seasons, dramatic tension was diluted by Angel's going solo and the necessary (but plot-debilitating) flashbacks to various points in Angel's history. However, just when it seemed everything was about to fly out the window, Angel's creative team threw its characters for a loop--literally--by transporting them to the demon dimension of Pylea, a medieval-style fantasyland populated by monsters and humans alike. It shouldn't have worked, as hokey as it was... but it did, thanks to crack storytelling, sharp dialogue, and the sheer joy the actors unleashed, especially the gifted and fiendishly funny Carpenter. The second half of the season also saw the addition of two of Angel's best characters: the horned Lorne (Andy Hallett), a green demon with a penchant for karaoke, and Fred (Amy Acker), a physicist trapped in Pylea who helped the gang engineer their escape. With these two in tow, Angel began to soar. --Mark Englehart |
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Angel - Season 3 | 6 | In the third season of Angel, the titular vampire with a soul was forced to stand alone thanks to the (temporary) death of his beloved Buffy and her show's move to a new network, with no crossover between the two allowed. He returns from seeking peace in a demon-haunted monastery to find the L.A. Angel Investigations team fighting supernatural crime in his absence. Fred is still haunted by the nightmare dimension from which they rescued her; Cordelia's visions get ever more painful and debilitating. The schemes of the evil law firm Wolfram and Hart become every more imaginative and dragon lady Lilah Morgan becomes even more of an enemy when lusting after Angel. Unbelievably, Darla, Angel's vampire sire and lover, turns up, pregnant with his child and is tortured by inexplicable motherly feelings as well as a raging thirst for human blood. For a few episodes things go pretty well--but Angel's enemies, both those he has made in his quest for redemption and those he made when he was unadulterated evil, are still out there. Stephanie Romanov comes into her silky own in this series, making Lilah Morgan all the more seductively evil because she is clear about the choices she has made; the satanic law firm of Wolfram and Hart are this show's most inspired creation. As the season moves to its close, Wesley (Alexis Denisof) has hard choices to make. The devastating climax is compulsive viewing, and this season also contains one of the most impressive single episodes of the entire show: in "Waiting in the Wings," writer, director and creator Joss Whedon comes up with a classic ghost story as Angel and his crew go to the ballet and find a performance that is literally timeless. --Roz Kaveney |
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Angel - Season 4 | 6 | As the fourth season of Angel starts, everything is still as we left it: Angel has been sunk to the bottom of the sea in an iron box by his inexplicable and vindictive son Connor and Cordelia has been summoned to higher realms to await orders. Gunn and Fred are left in the Hyperion Hotel, unsure about what has happened to their friends, and Lilah is working hard to seduce Wesley to the dark side. In the first few episodes, some of this is resolved but it's almost immediately replaced by far worse crises: prophesies of doom accumulate more rapidly even than usual in this wonderfully gloomy show and a horned rock-like beast rains fire on Los Angeles. This last year is Angel's most tightly dramatic season yet--with a story arc of surprising intensity punctuated by the show's usual wit and sexiness. Season 4 is presented on DVD in Dolby 2.0 Surround Sound and anamorphic widescreen. It comes with insightful, and often hilarious, commentaries on seven of the 22 episodes as well as featurettes--a series overview, profiles of the characters of Jasmine and the Beast, a farewell to the Hyperion Hotel (the characters' base for three seasons), and a discussion of the apocalypse that Angel has to deal with from episode 7 onwards). --Roz Kaveney |
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Angel - Season 5 | 6 | Lives were upended--and some co-opted--in the fifth and final season of Angel, as the denizens of Angel Investigations found themselves taking on one of their scariest endeavors ever: corporate life. After making a literal deal with the devil (or something distinctly devil-like), Angel (David Boreanaz) moved his team from their crumbling hotel to the high-rise digs of law-firm-from-hell Wolfram & Hart, his reasoning being they could better fight the forces of evil from the inside, and with more resources to boot. Clever maneuvering or easy rationalization? Not a few members of Angel's team accused him of selling out (as did a number of viewers), but as with most of the show's previous four seasons, Angel somehow took a dubious premise and mined it for gold. And with one core cast member gone (Charisma Carpenter, whose Cordelia was immersed in a deep coma), it seemed as if the show, from within and without, would suddenly fall apart--that is, until Angel's longtime nemesis Spike (James Marsters) showed up, fresh from his sacrificial roasting at the series finale of Buffy the Vampire Slayer. Let the vampire games begin!
With Buffy off the air, fans flocked to Angel's last season to get their fix of Joss Whedon's "Buffyverse" in any form they could, and the addition of Spike was a shrewd one, albeit not enough to keep the show from getting canceled. And for the first half of the season, the creative forces behind the show seemed to be toying ruthlessly with the audience. Spike was around, but not entirely corporeal; Angel himself became sullen and withdrawn; and most horrifically, sweetheart scientist Fred (Amy Acker) and former watcher Wesley (Alexis Denisof) underwent traumas that would test even the most devoted viewer. However, just when you'd be about to throw in the towel, things started changing for the better--Spike became a permanent fixture (both in the flesh and on the show), Angel's secret motives were revealed, and the introduction of demon warrior Illyria, who proved to be the show's answer to Buffy's sardonic demon-made-human Anya, was a welcome breath of fresh air. Creatively, Angel also came up with some of its best episodes, including "Smile Time" (where Angel is turned into a puppet ? really!) and "You're Welcome" (the show's 100th episode, which marked the bittersweet return of Carpenter's Cordelia). The ending of the series was deliberately ambiguous, and not everyone made it through alive, but in going out kicking, it was a proper sendoff for a show that always fought the good fight. --Mark Englehart |
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Angel Heart | 1987 | 113 mins | Horror; Mystery; Thriller | 1 | Harry Angel has a new case, to find a man called Johnny Favourite. Except things aren't quite that simple... | |||||||||
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Animal House | 1978 | 109 mins | Comedy | 1 | At a 1962 College, Dean Vernon Wormer is determined to expel the Delta House Fraternity, but those roughhousers have other plans for him. | |||||||||
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The Aristocats | 1970 | 78 mins | Animation; Family; Musical; Romance | 1 | Upon Madame Adelaide Bonfamille's passing her cat Duchess and 3 kittens stand to inherit her fortune. But not if Edgar the butler can help it. | |||||||||
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Aristocrats | 2005 | 90 mins | Comedy; Documentary | 1 | ||||||||||
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Atomic Journeys - Welcome to Ground Zero | 1 | Our atomic heritage resides in sites all over the country--from the Trinity test area to natural-gas wells in Colorado--and many of them are open to the public. Plan your vacation with Atomic Journeys: Welcome to Ground Zero, a blast through memory lane narrated by the perfectly suited William Shatner. Never-before-seen footage of test explosions and top-secret and work labs explores the history of America's nuclear programs, and interviews with current and former atomic scientists and engineers give depth to sights such as "the most bombed place on Earth" in Nevada. Learn about nonmilitary uses of nuclear weapons, the rationales behind the different programs, and where you can find these strange places. The musical score is a special bonus, performed by the Moscow Symphony Orchestra in a goodwill gesture of post-cold-war cooperation. --Rob Lightner | ||||||||||||
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Austin Powers: International Man of Mystery | 1997 | 94 mins | Action; Adventure; Comedy; Music | 1 | A 1960's hipster secret agent is brought out of cryofreeze to oppose his greatest enemy into the 1990's where his social attitudes are glaringly out of place. | |||||||||
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Austin Powers: The Spy Who Shagged Me | 1999 | 95 mins | Action; Adventure; Comedy; Music | 1 | Dr. Evil is back...and has invented a new time machine that allows him to go back to the 60's and steal Austin Powers's mojo, inadvertently leaving him "shagless". | |||||||||
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Austin Powers: Goldmember | 2002 | 94 mins | Action; Adventure; Comedy; Music | 1 | Upon learning that his father has been kidnapped, Austin Powers must travel to 1975 and defeat the aptly-named villain Goldmember - who is working with Dr. Evil. | |||||||||
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Babylon 5 - Season 1 | 6 | The epic sci-fi series Babylon 5 was a unique experiment in the history of television. It was effectively a novel for television in five seasons, consisting of 110 episodes with a clear beginning, middle, and end. The first season introduces the main characters, headed this year by Commander Jeffery Sinclair (Michael O'Hare) and Security Chief Michael Garibaldi (Jerry Doyle), and familiarizes the audience with the unique environment of a five-mile-long space station in the year 2257. The first episode, "Midnight on the Firing Line," plays at a breathless pace, introducing Commander Susan Ivanova (Claudia Christian) and establishing the conflict between the Narn and Centauri races as represented by their ambassadors, G'Kar (Andreas Katsulas) and Londo Mollari (Peter Jurasik). Then follow several mediocre episodes that initially give the impression that B5 is a Star Trek clone afflicted with "silly alien of the week" syndrome. With "And the Sky Full of Stars," B5 really begins to hit its stride, Sinclair being forced to relive his mysterious experiences during the Earth-Minbari war. Filler shows such as "TKO" are notable only for being controversially violent, while the disappointing "Grail" points to writer-creator J. Michael Straczynski's fascination with Arthurian mythology. "Signs and Portents" introduces the sinister Mr. Morden (Ed Wasser) and offers the chilling first appearance of the Shadows, an ancient alien threat. B5 hits warp speed with a run of exceptional episodes building to the season finale. The two-part "Voice in the Wilderness" has Mars breaking into open revolt against Earth and the discovery of a "Great Machine" on the dead world Epsilon 3. Referencing 1950s sci-fi classic Forbidden Planet, the story leads to the superb time-travel-based "Babylon Squared." Season finale "Chrysalis" proves more than just the usual television cliffhanger, placing Minbari ambassador Delenn in conflict with her ruling Grey Council and forcing on her a decision that laid the groundwork for Babylon 5's eventually becoming a great love story. --Gary S. Dalkin |
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Babylon 5 - Season 2 | 6 | Delenn's future love interest, Captain John Sheridan (Bruce Boxleitner) arrived on Babylon 5 in the first episode of season 2, "Points of Departure." The show marked the handing over of command of B5 to Sheridan from Commander Jeffery Sinclair, actor Michael O'Hare becoming a victim of studio politicians who wanted a bigger star in the leading role. This excellent installment also revealed more about why the Minbari surrendered to Earth at the Battle of the Line when they were on the verge of victory. "Revelations" explains that Sheridan's wife, Anna, died during an archaeological survey of the world Z'ha'dum, the name being just one of many references to Tolkien's the Lord of the Rings (the bridge at Khazad-Dum). "The Geometry of Shadows" introduced the Technomages, characters who featured more significantly in the ill-fated spinoff series Crusade (1999), while "The Coming of Shadows" proved to be Babylon 5's finest hour to date. The story of political intrigue foreshadowing the fate of two of the major characters beat Apollo 13, Toy Story, 12 Monkeys, and Star Trek: Deep Space Nine episode "The Visitor" to win the Hugo award for Best Dramatic Presentation at the 1996 World Science Fiction Convention and proved so powerful that J. Michael Straczynski included it in his Complete Book of Scriptwriting. "And Now for a Word" took the unusual step of presenting a day-in-the-life of B5 seen through the eyes of a TV news crew, just as the Narn declared war on the Centauri. The inclusion of a PSI-Corps commercial paid homage to Paul Verhoeven's satirical ads in Robocop (1987), while his later Starship Troopers (1997) seemed at times like a spoof of B5's earnest space opera. In "In the Shadow of Z'ha'dum," Sheridan learns that Morden was on the ship on which Anna died; the episode sees the captain pushed to his limits by grief and determination to discover why Morden survived. Three exceptional shows conclude the season. The Narn-Centauri war escalates in "The Long, Twilight Struggle," Sheridan faces a most unusual ordeal in "Comes the Inquisitor," and in "The Fall of Night" all hope of peace is shattered as a nerve-racking assassination attempt reveals a startling secret about Ambassador Kosh. --Gary S. Dalkin |
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Babylon 5 - Season 3 | 6 | "Matters of Honor" launched Babylon 5's third season with the introduction of the White Star, a spacecraft added to enable more of the action to take place away from the station. Also introduced was Marcus Cole (Jason Carter)--in another nod to The Lord of the Rings, a Ranger not so far removed from Tolkien's Strider. In "Voices of Authority" the show finds an epic scale as Ivanova seeks the mysterious "First Ones" for allies against the Shadows, and evidence is discovered pointing to the truth behind President Santiago's assassination. A third of the way through the season "Messages from Earth," "Point of No Return," and "Severed Dreams" prove pivotal, changing the nature of the story in a way previously unimaginable on network TV. Earth slides into dictatorship, the fascistic Nightwatch takes control of off-world security, and Sheridan take decisive action by declaring Babylon 5 independent. "Interludes and Examinations" presented the death of a major supporting character, while the two-part "War Without End" reached apocalyptic dimensions in a complex tale resolving the destiny of Sinclair and the fate of Babylon 4 (dovetailing elegantly with the events of the first season's "Babylon Squared"), resolving a 1,000-year-old paradox and presenting a vision of a very dark future for Sheridan and Delenn. All this was trumped by the monumental "Z'ha'dum." In the preceding "Shadow Dancing" Anna Sheridan (Melissa Gilbert, Bruce Boxleitner's real-life wife) returned from the dead, no longer entirely human. In the mythologically resonant climax Anna invited Sheridan back to the Shadow homeworld with no hope of survival. Just as in The Lord of the Rings Gandalf fell into the abyss at Khazad-Dum, so Sheridan took a comparable leap into the unknown on an alien world. --Gary S. Dalkin |
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Babylon 5 - Season 4 | 6 | Season 4 began on a high point with the Centauri Prime in the grip of the insane Emperor Cartagia (Wortham Krimmer) and a run of six shows leading to the climax of the war against the Shadows in "Into the Fire." If this colossal narrative was resolved a little too easily and the ultimate aim of the Shadows turned out to be a tad disappointing, it still proved to be the most powerful slice of space opera to ever grace the small screen. In the aftermath the sheer scale dropped back a little but the pace never slowed as the rest of the season played out in one relentless cycle of conspiracy, betrayal and conflict, Babylon 5 siding with the rebel Mars colony against the totalitarian Earth. Meanwhile Delenn came increasingly into conflict with her own people and, paralleling her relationship with Sheridan, Garibaldi became involved with his ex-fiancée Lise Hampton (Denise Gentile), while an intense platonic love grew between Ivanova and Marcus Cole. On an unstoppable wave fuelled by roller-coaster plot twists and spectacular action shows from "No Surrender, No Retreat"--when Sheridan avows to overthrow EarthGov--to "Rising Star"--when the aim is realized--Babylon 5 achieved a consistent excellence rare in television. Yet within that run "Intersections in Real Time" stood out as a bold experiment; essentially a two-hand drama taking place entirely within one dimly lit room. Beyond this a major character died and Sheridan and Delenn married before the season finale again broke with expectation. In "The Deconstruction of Falling Stars," a future descendant of humanity one million years hence reviews excerpts from the history of Babylon 5. In one sequence set in 2762, a Brother is devoted to the preserving of history some time after the "Big Burn." A homage to Walter M. Miller's classic A Canticle for Leibowitz, Sheridan and Delenn have themselves become the stuff of legend. --Gary S. Dalkin |
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Babylon 5 - Season 5 | 6 | A disappointment after the superb two previous seasons, the final run of Babylon 5 found Claudia Christian departed and Ivanova replaced by Captain Elizabeth Lochley (Tracy Scoggins), who in a soap-opera twist turned out to be Sheridan's first wife. Sheridan was promoted to President of the Interstellar Alliance and the action moved to a group of telepaths seeking sanctuary from the PSI-Corp on B5. Giving a prominent role to Patricia Tallman's Lyta Alexander, a love story for her was woven with the leader of the telepaths, Byron (Robin Atkin Downs). Meanwhile the aftermath of the Shadow War was explored as the origin of human telepaths became clear in "Secrets of the Soul," and the appearance of PSI-Corp's Bester (Walter Koenig) brought the plight of the refugees to a powerful close in "A Tragedy of Telepaths" and "Phoenix Rising." This was immediately followed by a rare episode not written by J. Michael Straczynski. Much was expected of "Day of the Dead," penned by Neil Gaiman, the British creator of DC's landmark Sandman comic and graphic novel series. Yet despite a change of tone including a guest appearance by Penn & Teller as 23rd-century comedy favorites Rebo & Zooty, the story proved an incongruous side trip into an unexplained twilight zone of fantasy. As usual the season picked up toward the end, with a string of fine political episodes leading to "The Fall of Centauri Prime" and the haunting "Objects at Rest," in which Sheridan and Delenn leave Babylon 5 for new quarters on Minbar. The final episode, "Sleeping in Light," was directed by J. Michael Straczynski and made an epilogue to the series. Set 20 years later, after all the sound and fury this quiet, elegiac tale is the apotheosis of the love story that proved the balance to the tragedy of the preceding darkness. A personal story resolved against a background of the epic, at once transcendent, deeply human, and profoundly optimistic, "Sleeping in Light" is as moving as any hour in the history of television drama and a thoroughly satisfying conclusion to one of the greatest series ever made. --Gary S. Dalkin |
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Babylon 5 - The Legend of the Rangers | 2002 | 1 | Science-fiction fans are notoriously hard to please, and few have anything good to say about The Legend of the Rangers, produced in 2002 to introduce a spinoff of the popular Babylon 5 TV series. The naysayers have a point. Few elements of this 90-minute pilot, subtitled "To Live and Die in Starlight," will likely be memorialized among the genre's golden moments; the dialogue is often clunky and on-the-nose, the acting is less than stellar, and the effects work, while pretty good, doesn't live up to the standard set by Stargate, Farscape, and others. Nevertheless, there's a reasonably compelling story here, involving the elite Rangers (made up of humans and aliens alike, including the Minbari, who sport "head bones" instead of hair and whose cute little ears are placed on the sides of their necks) and the threat posed to the universe by a mysterious new foe known as "the Hand" (these are some seriously bad dudes, a race that has lain dormant for many years but is now back with a vengeance). Front and center is human Ranger David Martell (played by Dylan Neal). Court-martialed for choosing to save his crew rather then lead them to certain death (in violation of a code mandating that "we do not retreat, whatever the reason"), he's put in command of the Liandra, a ship that's not only funkier than Han Solo's Millennium Falcon but haunted to boot. Of course, as events play out, Martell and his pals end up as the last line of defense against the Hand, not only pitted against these implacable enemies but also dealing with a traitor among the good guys. The themes (honor vs. expediency, dark forces arrayed against peace-seekers, human impetuousness tangling with ancient alien wisdom) are familiar, and the outcome is far from unpredictable. Still, there are a lot less entertaining ways to spend 90 minutes than with Babylon 5: The Legend of the Rangers. --Sam Graham | |||||||||||
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Babylon 5 - The Lost Tales | 2007 | 75 mins | 1 | Times change. Dangers remain. 10 years after he became President of the Interstellar Alliance, Sheridan prepares for a fateful Babylon 5 reunion that could prevent Earth's impending doom...if he will also compromise his core principles. Meanwhile, commander Lochley confronts an unexpected interloper on the way station - a being whose presence makes the B5 freeport the crossroads between heaven and hell. In Voices in the Dark, Series creator J. Michael Straczynski reunites with stars Bruce Boxleitner and Tracy Scoggins in two richly imagined stories set after the events of the original series. Richly imagined, too, is Straczynski's vision of the 23rd century (including a dazzling New York City) - a vision made more spectacular via filmmaking technology unavailable during the original series. | ||||||||||
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Babylon 5 : Crusade Season 1 | 1999 | 60 mins | Action; Drama; Sci-Fi | 1 | A team of soldiers and scientists has five years to find a cure for a plague decimating Earth. | |||||||||
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Badder Santa | 2003 | 91 mins | Comedy; Crime | 1 | A miserable conman and his pint size partner pose as Santa and his Little Helper, only to rob department stores on Christmas Eve but run into problems when the conman befriends a troubled kid. | |||||||||
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Barbarella | 1968 | 98 mins | Adventure; Sci-Fi; Fantasy | 1 | In the far future, a highly sexual woman is tasked with finding and stopping the evil Durand-Durand. Along the way she encounters various unusual people. | |||||||||
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Batman - The Motion Picture Anthology 1989-1997 | 1989 | 8 | For fans and newcomers, this boxed set holds a great collection, including all four great movies. The first in the series, Batman (1989), and arguably the best of the four movies, exudes the moodiness of the Dark Knight's character. Tim Burton's direction and Michael Keaton's rendition of Batman are an electrifying combo. Together they capture the sinister atmosphere of Gotham City and Batman's darkness. Jack Nicholson as the fiendish Joker and Kim Basinger as the resourceful and gorgeous Vicki Vale lend their charm. Three years later, in 1992, Burton and Keaton reunited for Batman Returns. This time our pointy-eared hero has to combat two villains: Danny DeVito as the disturbed and freaky Penguin and Michelle Pfeiffer as Catwoman. In Batman Forever (1995), Joel Schumacher gave his direction to the story with Val Kilmer under the cape. Kilmer keeps the moodiness but adds a little panache to his rendition. His archenemies this time are the Riddler (Jim Carrey) and Two-Face (Tommy Lee Jones). Luckily, he enlists the help of the Boy Wonder, Robin (Chris O'Donnell). The final movie in the series, Batman & Robin, is great eye candy, and this time Schumacher returns with George Clooney as the leading man and Chris O'Donnell again as Robin. Together Batman and Robin battle the icy Mr. Freeze (Arnold Schwarzenegger), with a little help from Batgirl (Alicia Silverstone). Delve into the Gotham City world with the Dark Knight to protect you, and don't forget to make lots of popcorn for this Batman marathon. --Samantha Allen Storey | |||||||||||
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Batman Begins | 2005 | 134 mins | 2 | Batman Begins discards the previous four films in the series and recasts the Caped Crusader as a fearsome avenging angel. That's good news, because the series, which had gotten off to a rousing start under Tim Burton, had gradually dissolved into self-parody by 1997's Batman & Robin. As the title implies, Batman Begins tells the story anew, when Bruce Wayne (Christian Bale) flees Western civilization following the murder of his parents. He is taken in by a mysterious instructor named Ducard (Liam Neeson in another mentor role) and urged to become a ninja in the League of Shadows, but he instead returns to his native Gotham City resolved to end the mob rule that is strangling it. But are there forces even more sinister at hand? Co-written by the team of David S. Goyer (a veteran comic book writer) and director Christopher Nolan (Memento), Batman Begins is a welcome return to the grim and gritty version of the Dark Knight, owing a great debt to the graphic novels that preceded it. It doesn't have the razzle dazzle, or the mass appeal, of Spider-Man 2 (though the Batmobile is cool), and retelling the origin means it starts slowly, like most "first" superhero movies. But it's certainly the best Bat-film since Burton's original, and one of the best superhero movies of its time. Bale cuts a good figure as Batman, intense and dangerous but with some of the lightheartedness Michael Keaton brought to the character. Michael Caine provides much of the film's humor as the family butler, Alfred, and as the love interest, Katie Holmes (Dawson's Creek) is surprisingly believable in her first adult role. Also featuring Gary Oldman as the young police officer Jim Gordon, Morgan Freeman as a Q-like gadgets expert, and Cillian Murphy as the vile Jonathan Crane. --David Horiuchi
Batman at Amazon.com
Stills from Batman Begins (click for larger images) DVD Features The first disc is filled out by the theatrical trailer and a Jimmy Fallon-starring Batman Begins spoof from the MTV Movie Awards. The second disc consists of eight featurettes (about 105 minutes total) on a variety of topics. "The Journey Begins" covers the early stages of the movie, including the casting and how director/co-writer Christopher Nolan brought in co-writer David S. Goyer for his comic-book expertise. "Shaping Mind and Body" covers Christian Bale's fight training, and other featurettes discuss the sets (the Batcave is shown being constructed out of wood and sheets), the Batman costume, the Batmobile, the monorail sequence, and the hazards of filming in Iceland. All the behind-the-scenes featurettes are solid but somewhat routine, and while "The Journey Begins" is the widest overview, there's not really any centerpiece documentary (all are 8 to 15 minutes, and there's no Play All option). Interviewees tend to be the same throughout: Nolan, Goyer, Bale (the only cast member to get much face time), and other crew members (it's nice to hear from the stunt people). Potentially more interesting to fans is "Genesis of the Bat," which covers the comic books that influenced the film, including The Long Halloween, Neal Adams's Ra's Al Ghul from the '70s, Dennis O'Neill and Dick Giordano's The Man Who Falls, and Frank Miller's Batman: Year One and The Dark Knight Returns. Interviewees include DC Comics editor Paul Levitz and artist Jim Lee, but the latter's involvement eventually degrades the featurette into a pitch for DC's All-Star Batman line. A nice bonus to the Deluxe Edition is a mini comic book (DVD case-sized) that has Batman's first appearance (Detective Comics #27), The Man Who Falls, and a 48-page excerpt from The Long Halloween. (Once you get a taste of Halloween, you'll want to pick up the full-length, full-size version.) Filling out the disc are overviews of four gadgets and eight characters, DVD-ROM features, and a variety of poster-art concepts. To get to the features menu, you have to scroll through a multi-page Goyer-scribed comic book, which is a good read, but you can't skip it the next time you want to watch the second disc. Note that the comic book is also viewable in French, and the second disc offers a French menu and French (but not English) subtitles for the featurettes. --David Horiuchi |
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Battlefield Earth | 2003 | 60 mins | Action; Adventure; Animation; Sci-Fi | 1 | ||||||||||
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Bedknobs and Broomsticks | 1971 | 117 mins | Adventure; Family; Musical; Fantasy; Animation | 1 | An apprentice witch, 3 kids and a cynical conman search for the missing component to a magic spell useful to the defence of Britain. | |||||||||
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Beetlejuice | 1988 | 92 mins | Comedy; Fantasy; Horror | 1 | A couple of recently deceased ghosts contract the services of a "bio-exorcist" in order to remove the obnoxious new owners of their house. | |||||||||
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Beowulf | 2007 | 114 mins | 1 | Spectacular animated action scenes turn the ancient epic poem Beowulf into a modern fantasy movie, while motion-capture technology transforms plump actor Ray Winstone (Sexy Beast) into a burly Nordic warrior. When a Danish kingdom is threatened by the monster Grendel (voiced and physicalized by Crispin Glover, River's Edge), Beowulf--lured by the promise of heroic glory--comes to rescue them. He succeeds, but falls prey to the seductive power of Grendel's mother, played by Angelina Jolie... and as Jolie's pneumatically animated form rises from an underground lagoon with demon-claw high heels, it becomes clear that we're leaving the original epic far, far behind. Regrettably, the motion-capture process has made only modest improvements since The Polar Express; while the characters' eyes no longer look so flat and zombie-like, their faces remain inexpressive and movements are still wooden. As a result, the most effective sequences feature wildly animated battles and the most vivid character is Grendel, whose grotesqueness ends up making him far more sympathetic than any of the mannequin-like human beings. The meant-to-be-titillating images of a naked Jolie resemble an inflatable doll more than a living, breathing woman (or succubus, as the case may be). But the fights--particularly Grendel's initial assault on the celebration hut--pop with lushly animated gore and violence. Also featuring the CGI-muffled talents of Anthony Hopkins (Silence of the Lambs), Robin Wright Penn (The Princess Bride), and John Malkovich (Dangerous Liaisons). --Bret Fetzer | ||||||||||
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Beverly Hills Cop - The Complete Line Up | 3 | |||||||||||||
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Big Fish | 2003 | 125 mins | Drama; Fantasy; Comedy; Adventure | 1 | The story is about a son (William Bloom) trying to learn more about his dying father (Albert Finney) by reliving stories and myths his father told him about himself. | |||||||||
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Big Trouble In Little China | 1986 | 100 mins | Comedy; Adventure; Fantasy; Action | 1 | After a card game, Jack Burton takes his friend, Wang Chi (Dennis Dun), to the airport to pick up Wang’s fiancee, Miao Yin (Suzee Pai), but the Lords of Death snatch her and steal Jack’s eighteen wheeler, The Pork Chop Express. Evil 2000-year-old Chinese sorcerer, David Lo Pan (James Hong) plans to marry Miao Yin, a green eyed beauty, and then sacrifice her in order to overcome an ancient curse. To save the girl and his truck, Jack heads for Chinatown with Wang, and beautiful lawyer Gracie Law (Kim Cattrell). Unfortunately for Gracie, she also is beautiful and green-eyed, so Lo Pan decides to marry and kill her instead of Miao Yin. Also, unfortunately for Gracie, Jack is a fake John Wayne: he talks a good game and sounds like the Duke but literally knocks himself out. Rival Chinese gangs take sides, and three evil demi-gods show up as the fight goes underground, in a dark and dank supernatural world beneath Chinatown. Jack and Wang are helped by loopy magician Egg Shen (Victor Wong), Margo (Kate Burton), and Eddie Lee (Donald Li) as kung fu warriors, female ninjas, and unearthly creatures battle. | |||||||||
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Black Adder - Season 1-4 Plus Christmas Carol and Back & Forth | 5 | |||||||||||||
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Black Eagle | 1988 | 93 mins | Action | 1 | One of the US Air Force's most modern tactical aircrafts, a F-100 with a new laser guidance system,... | |||||||||
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Black Rain | 1989 | 125 mins | Action; Crime; Drama | 1 | Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They... | |||||||||
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Blade | 1998 | 120 mins | Action; Horror; Thriller | 1 | A half-vampire, half-mortal man becomes a protector of the mortal race, while slaying evil vampires. | |||||||||
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Blade - Trinity (Unrated Widescreen Edition) (New Line Platinum Series) | 2004 | 2 | ||||||||||||
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Blade II | 2002 | 117 mins | Action; Thriller; Horror | 2 | Blade forms an uneasy alliance with the vampire council in order to combat the Reapers vampires who feed on vampires. | |||||||||
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Blazing Saddles | 1974 | 93 mins | Comedy; Western | 1 | To ruin a western town, a corrupt political boss appoints a black sheriff, who promptly becomes his most formidable adversary. | |||||||||
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Blood+: Volume One | 124 mins | 1 | ||||||||||||
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Blue Collar Comedy Tour: The Movie | 2003 | 105 mins | Comedy; Documentary | 1 | It had to happen: A national tour of redneck comedians culminating in this frequently funny concert film, shot in Phoenix. Ron White's scotch-and-tobacco-fueled, fatalistic world view gets things off to a good start. ("That last engine had just enough power to get us to our crash site.") Larry the Cable Guy's creepy-silly persona helps deliver a set long on gross-out humor. ("I've been seein' a good-lookin' girl. But now I lost my binoculars.") Bill Engvall balances the tone with his family-man shtick. ("There needs to be a teenage driver's lane lined with tires and mattresses.") Main event champ Jeff Foxworthy offers fresh material about the act of ice-fishing as an out-of-body experience for fish, describes the bizarre sight of a leaf blower among items confiscated by airport security and, of course, renders his trademark re-re-re-definitions of what constitutes a redneck ("a glorious absence of sophistication"). Lots to enjoy here. --Tom Keogh | |||||||||
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Blue Collar Comedy Tour Rides Again | 2004 | 106 mins | Comedy | 1 | The redneck quartet from the original Blue Collar Comedy Tour re-groups for another night of laughs, with (mostly) fresh material performed for an upbeat audience. A funny, clubby preface on a tour bus establishes a tone of lowbrow camaraderie among Jeff Foxworthy, Larry the Cable Guy, Ron White, and Bill Engvall, but once on stage, the differences between each comic's style is considerable. Amiable Engvall kicks things off with gentle gibes: "Men are basic: eating, sleeping, sex. I can do all those in my truck." The decadent air of Ron White darkens the show: "If I'd known the difference between 'antidote' and 'anecdote,' my friend would still be alive today." Foxworthy, the likable Everyman, comments on his wife's hypochondria: "Honey, you do not have testicular cancer." Finally, Larry the Cable Guy lowers the bar on sick-hick humor but does score occasionally: "I got a vasectomy at Sears. When I get excited, the garage door opens." --Tom Keogh | |||||||||
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Blue Collar Comedy Tour - One for the Road | 2006 | 108 mins | 1 | The redneck wits of Blue Collar Comedy Tour: One for the Road have gone a little more posh in this, their final appearance together. Performing in the gorgeous, historic Warner Theater in Washington, D.C., there's an air of class about the proceedings quickly and good-naturedly undone by the quartet's material. Bill Engvall discusses what it was like to assemble a trampoline for his kid and make a couple of discoveries while trying it out: "One, the dog doesn't like to jump. Two, I'm 20 feet in the air, and now my high school geometry kicks in. If you jump at an angle, you bounce at the opposite angle." He has another fond remembrance of youth: "Remember when you discovered you could burn ants with a magnifying glass? Then I saw an ant on my arm." Ron White, with trademark drink and a smoke in hand, talks about dieting tips for clean living: "Skinny people tell you: drink a lot of water, you'll be less hungry. You know what? Drink a lot of water, you'll be less thirsty." Redneck everyman Jeff Foxworthy comes armed with fashion tips for the Wal-Mart crowd: "There's no shame in having a spare tire around your waist. Just cover it up." He's also got vasectomy clinic slogans you don't want to hear: "Half-off. Everything must go." Finally, Larry the Cable Guy continues narrating his journey through cluelessness: "I got married seven months ago. We're already having trouble. Apparently, you can't talk dirty to your wife's sister." A little sidebar about the comedians' special trip to the White House is a cute diversion, while special features include a brisk question-and-answer session with a sharp audience. --Tom Keogh | ||||||||||
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Blue Man Group - The Complex Rock Tour Live | 1 | |||||||||||||
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Blue Thunder | 1983 | 109 mins | 1 | |||||||||||
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Blue Velvet | 1986 | 120 mins | Crime; Drama; Mystery; Thriller | 1 | An innocent young man discovers that a dark underworld exists beneath the surface of his seemingly quiet hometown. | |||||||||
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The Bourne Identity | 2002 | 119 mins | Action; Thriller; Mystery; Drama | 1 | A man washes ashore, bullet-riddled and without memory, then races to elude assassins and recover from amnesia. | |||||||||
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The Bourne Supremacy | 2004 | 108 mins | Adventure; Mystery; Thriller; Action; Drama | 1 | When Jason Bourne is framed for a botched CIA operation he is forced to take up his former life as a trained assassin to survive. | |||||||||
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The Bourne Ultimatum | 2007 | 116 mins | Thriller; Mystery | 1 | Matt Damon returns as highly trained assassin Jason Bourne, who is on the hunt for the agents who stole his memory and true identity. With a new generation of skilled CIA operatives tracking his every move, Bourne is in a non-stop race around the globe as he finally learns the truth behind his mysterious past. Loaded with incredible fight and chase sequences, it's the exhilarating movie with "mind-blowing action" (Roger Ebert, Chicago Sun-Times) that you can't afford to miss! | |||||||||
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Bram Stoker's Dracula | 1992 | 128 mins | Drama; Horror; Romance; Thriller | 1 | The vampire comes to England to seduce a visitor's fiance and inflict havoc in the foreign land. | |||||||||
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The Breed | 2001 | 91 mins | Action; Adventure; Sci-Fi | 1 | In the distant future vampires have come out of the shadows and tried to live among people as a special and peaceful breed... | |||||||||
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Bruce Almighty | 2003 | 102 mins | Comedy; Romance | 1 | Bestowing Jim Carrey with godlike powers is a ripe recipe for comedy, and Bruce Almighty delivers the laughs that Carrey's mainstream fans prefer. The high-concept premise finds Carrey playing Bruce Nolan, a frustrated Buffalo TV reporter, stuck doing puff-pieces while a lesser colleague (the hilarious Steven Carell) gets the anchor job he covets. Bruce demands an explanation from God, who pays him a visit (in the serene form of Morgan Freeman) and lets Bruce take over while he takes a brief vacation. What does a petty, angry guy do when he's God? That's where Carrey has a field day, reuniting with his Ace Ventura and Liar, Liar director, Tom Shadyac, while Jennifer Aniston gamely keeps pace as Bruce's put-upon fiancée. Carrey's actually funnier before he becomes Him, and the movie delivers a sappy, safely diluted notion of faith that lacks the sincerity of the 1977 hit Oh, God! Still, we can be thankful that Carrey took the high road and left Little Nicky to Adam Sandler. --Jeff Shannon | |||||||||
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Buffy the Vampire Slayer - Season 1 | 3 | Buffy Summers (Sarah Michelle Gellar) looks like your typical perky high-schooler, and like most, she has her secret fears and anxieties. However, while most teens are worrying about their next date, their next zit, or their next term paper, Buffy's angsting over the next vampire she has to slay. See, Buffy, a young woman with superhuman strength, is the "chosen one," and she must help rid the world of evil, namely by staking demons. The exceptional first season of Buffy the Vampire Slayer introduces us to the treacherous world of Sunnydale High School (where Buffy moved after torching her previous high school's gym). The characters there include "watcher" Giles (Anthony Stewart Head) and the original "Scooby Gang" members--friendly geek Xander (Nicholas Brendon), computer whiz Willow (Alyson Hannigan), and snobbish popular girl Cordelia (Charisma Carpenter)--who aid Buffy in her quest. Those used to the darker tone that Buffy took in its later seasons will be surprised by the lighter feeling these first 12 episodes have--it's kind of like Buffy 90210 as the cast grapples with regular teen problems in addition to saving the world from demonic darkness. Fans of the show will enjoy the crisp writing, the phenomenal chemistry of the cast (already well-established within the first few episodes), and the introduction to characters that would stay for many seasons, including moody vampire Angel (David Boreanaz). Through it all, Gellar carries the series with amazing confidence, whether conveying the despair of high school or dispatching various demons--she's one of TV's most distinctive and strongest heroines. --Mark Englehart | ||||||||||||
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Buffy the Vampire Slayer - Season 2 | 6 | At the heart of the first years of Joss Whedon's Buffy the Vampire Slayer was the romance between Buffy (Sarah Michelle Gellar), slayer of all things evil, and hunky Angel (David Boreanaz), the tortured vampire destined to walk the earth with a soul. The second season of Buffy took the Buffy-Angel pas de deux from ecstasy to agony in a now-classic plot arc that catapulted the show from WB teen drama to true TV greatness. You see, if the cursed Angel ever experiences true happiness for a moment, he'll revert to being an evil vampire again. And guess what happens after Buffy and Angel finally declare their love for one another and consummate their relationship... Buffy found its true momentum during the second season, as geeky Xander (Nicholas Brendon) fell in love with popular girl Cordelia (Charisma Carpenter), Willow (Alyson Hannigan) gave up her crush on Xander in favor of werewolf boy Oz (Seth Green), and watcher Giles (Anthony Stewart Head) began a sweetly tentative relationship with computer teacher (and witch) Jenny Calendar (Robia LaMorte). Mayhem came to Sunnydale, though, in the form of evil vampires Drusilla (Juliet Landau) and Spike (drolly wicked James Marsters), who were more than ready to aid and abet Angel as he turned bad. It all sounds like horror-action mayhem (and there are great fight scenes), but Buffy took on its plotlines with amazing depth, intelligence, and humor. And oh, man, the love story! Buffy and Angel's tragic relationship is one of the most heartbreaking you'll ever find. Buffy's final dilemma finds her having to save the world at Angel's expense, and Gellar (who deserves a passel of Emmys for her work) is phenomenal at telegraphing Buffy's swirling conflicts between love and duty. This is some of the best TV ever made, period. --Mark Englehart |
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Buffy the Vampire Slayer - Season 3 | 6 | The third season of Joss Whedon's Buffy the Vampire Slayer was marked by the arrival in Sunnydale of renegade slayer Faith (Eliza Dushku), a moody loner who seemed to like her demon-staking calling just a little too much. While Buffy (Sarah Michelle Gellar) was always wary of Faith, the two developed a deep friendship and appreciative rapport--that is, until the evil mayor of Sunnydale (Harry Groener) tapped into Faith's dark side and lured her into his plot to take over the world, first as a double agent spying on Buffy, then as out-and-out nemesis. And as the mayor's ascension approached--which happened to fall on Sunnydale High's graduation day--Buffy and Faith's battles got nastier and nastier, as Buffy attempted to wrestle with her dark side (literally and figuratively), save the world and her friends, and keep her lover Angel (David Boreanaz) out of Faith's evil clutches. Chock-full of exceptional episodes, this third season started out with a bang (the superb season opener "Anne," in which a runaway Buffy finally returns to her Slayer calling) and never let up. Among other highlights, the season introduced former vengeance demon and soon-to-be regular Anya (Emma Caulfield), fleshed out Angel's tortured character (and readied him for his own series), and featured a hilarious doppelganger Willow (Alyson Hannigan), a vampire from a parallel universe, who in Willow's own words was "evil and... skanky... and kinda gay!" (Total foreshadowing there, folks.) The season's pièce de résistance, though, was the two-parter "Graduation Day," wherein Faith tries to kill Angel, and the students of Sunnydale High prepare to do battle with a mutated mayor and his army of demons. Aside from the series' exceptional writing and acting, this compelling year of Buffy was anchored by the consistently excellent Gellar, as well as Dushku's complicated Faith, a girl you truly love to hate. By the time you finish these episodes, Faith will have cast a spell on you that you'll find very hard to shake. --Mark Englehart |
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Buffy the Vampire Slayer - Season 4 | 6 | Having battled a hellish vampire master, an evil boyfriend, a rogue slayer, a giant man-eating demon-snake thing, and a particularly nasty high school principal, Buffy Summers embarked on one of her biggest challenges in the fourth season of Buffy the Vampire Slayer: college. With boyfriend Angel out of the picture (and on his own show) and Sunnydale High destroyed, new horizons were to be tackled for Buffy and the rest of the Scooby gang. There were cute guys (Buffy's new boyfriend Riley), cute girls (Willow's new girlfriend Tara--yes, Willow's gay!), frat parties, irritating roommates, harsh professors, and, oh yes, a secret military initiative that was experimenting on the demon population (Riley's part of it). Buffy truly hit its golden years in the fourth season--just when you thought this show couldn't get any better, Joss Whedon and his creative team pulled out all the stops and took Buffy and co. into rich new territory. By far, the highlight of the season (and the entire series) was the Emmy-nominated "Hush," a nearly dialogue-free episode in which the creepy "Gentlemen" rob Sunnydale of its collective voice, and Buffy and Riley finally come face to face with each other's hidden identities. While Frankenstein-esque monster Adam wasn't the show's best villain (you'll have to wait until next season's Glory for that), he was a worthy adversary for the biotech age, and the military milieu was a nice contrast to Buffy's previous gothic outings. Season 4 also marked the return of blond vampire Spike (who developed a crush on Buffy), the ascension of vengeance demon Anya to full-time cast status, and the brief return of bad slayer Faith (in a fab two-part body-switching episode). Throughout, the entire cast, headed by the unparalleled Sarah Michelle Gellar, worked television magic of the kind rarely seen on the small screen. This is Buffy at its best. --Mark Englehart |
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Buffy the Vampire Slayer - Season 5 | 6 | The fifth season of Joss Whedon's hit series started out in excellent form as slayer extraordinaire Buffy Summers (Sarah Michelle Gellar) did battle with the most famous of vampires (that Dracula guy) and then went on to spar with another nemesis, little sister Dawn (Michelle Trachtenberg). Wait--Buffy has a teenage sister? Where has she been the past four years? And why is everyone acting like she's always been around? Turns out that young Dawn is actually "The Key," a form of pure energy that, true to its name, helps open the gates between different dimensions. To protect said key from falling into the wrong hands, a group of monks gave it human form and sent it to the fiercely protective Buffy for safekeeping, creating new memories of Dawn for everyone as if she'd existed... well, always. Why all the super secrecy? There's this very, very, very bad girl named Glory (Clare Kramer) who wants the key very badly, and will do anything to get it. Oh, and by the way, Glory isn't just a run-of-the-mill demon... she's way worse. Some fans will tell you that Buffy "jumped the shark" with the introduction of Dawn, when in actuality this season was the pinnacle of the show's achievement, as there was superb comedy to be had ("Buffy Vs. Dracula," the double-Xander episode "The Replacement," the introduction of the "Buffybot" in "Intervention") as well as some of television's best drama. The Whedon-scripted and -directed "The Body" remains one of Buffy's best episodes, when the young woman who faces down supernatural death on a daily basis finds herself powerless in the wake of her mother's sudden passing. The first third or so of the season was a bit choppy, but once the evil Glory came into her own, Buffy was a television force to be reckoned with. Kramer was the show's best villain (after the evil Angel, natch), and the supporting cast was never better. But as always, it was the superb Gellar who was the powerful center of the show, sparking opposite lovelorn vampire Spike (James Marsters) and wrestling with moral dilemmas rarely seen on television. With this season, Buffy Summers became, like Tony Soprano, one of television's true greats. --Mark Englehart |
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Buffy the Vampire Slayer - Season 6 | 6 | The sixth season of Buffy the Vampire Slayer followed the logic of plot and character development into some gloomy places. The year begins with Buffy being raised from the dead by the friends who miss her, but who fail to understand that a sacrifice taken back is a sacrifice negated. Dragged out of what she believes to have been heavenly bliss, she finds herself "going through the motions" and entering into a relationship with the evil, besotted vampire Spike just to force her emotions. Willow becomes ever more caught up in the temptations of magic; Xander and Anya move towards marriage without ever discussing their reservations; Giles feels he is standing in the way of Buffy's adult independence; Dawn feels neglected. What none of them need is a menace that is, at this point, simply annoying--three high school contemporaries who have turned their hand to magical and high-tech villainy. Added to this is a hungry ghost, an invisibility ray, an amnesia spell and a song-and-dance demon (who acts as rationale for the incomparable musical episode "Once More, with Feeling"). This is a year in which chickens come home to roost: everything from the villainy of the three geeks to Xander's doubts about marriage come to a head, often--as in the case of the impressive wedding episode--through wildly dark humor. The estrangement of the characters from each other--a well-observed portrait of what happens to college pals in their early 20s--comes to a shocking head with the death of a major character and that death's apocalyptic consequences. The series ends on a consoling note which it has, by that point and in spite of imperfections, entirely earned. --Roz Kaveney |
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Buffy the Vampire Slayer - Season 7 | 6 | The seventh and final season of Buffy the Vampire Slayer begins with a mystery: someone is murdering teenage girls all over the world and something is trying hard to drive Spike mad. Buffy is considerably more cheerful in these episodes than we have seen her during the previous year as she trains Dawn and gets a job as student counselor at the newly rebuilt Sunnydale High. Willow is recovering from the magical addiction which almost led her to destroy the world, but all is not yet well with her, or with Anya, who has returned to being a Vengeance demon in "Same Time, Same Place" and "Selfless," and both women are haunted by their decisions. Haunting of a different kind comes in the excellent "Conversations with Dead People" (one of the show's most terrifying episodes ever), in which a mysterious song is making Spike kill again in spite of his soul and his chip. Giles turns up in "Bring on the Night" and Buffy has to fight one of the deadliest vampires of her career in "Showtime". In "Potential" Dawn faces a fundamental reassessment of her purpose in life. Buffy was always a show about female empowerment, but it was also a show about how ordinary people can decide to make a difference alongside people who are special. And it was also a show about people making up for past errors and crimes. So, for example, we have the excellent episodes "Storyteller", in which the former geek/supervillain Andrew sorts out his redemption while making a video diary about life with Buffy; and "Lies My Parents Told Me," in which we find out why a particular folk song sends Spike crazy. Redemption abounds as Faith returns to Sunnydale and the friends she once betrayed, and Willow finds herself turning into the man she flayed. Above all, this was always Buffy's show: Sarah Michelle Gellar does extraordinary work here both as Buffy and as her ultimate shadow, the First Evil, who takes her face to mock her. This is a fine ending to one of television's most remarkable shows. --Roz Kaveney |
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Buffy the Vampire Slayer: Curse of the Hellmouth | 1 | |||||||||||||
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Cabaret | 1972 | 124 mins | Drama; Musical | 1 | Willkommen, bienvenue, welcome to Cabaret. The winner of eight Academy Awards, it boasts a score by the legendary songwriting partnership behind another film that would energize the movie musical genre with equal razzle-dazzle 30 years later: Chicago's John Kander and Fred Ebb. Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles (Liza Minnelli) and an impish emcee (Joel Grey) sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force. Cabaret caught lightning (and won Oscars) for Minnelli, Grey and director Bob Fosse, who shaped a triumph of style and substance. Come to this Cabaret, old chum. You'll never want to leave. DVD Features: |
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Caddyshack | 1980 | 98 mins | Comedy | 1 | An exclusive golf course has to deal with a brash new member and a destructive dancing gopher. | |||||||||
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Cars | 2006 | 116 mins | 1 | There's an extra coat of hot wax on Pixar's vibrant, NASCAR-influenced comedy about a world populated entirely by cars. Lightning McQueen (voiced by Owen Wilson) is the slick rookie taking the Piston Cup series by storm when the last race of the season (the film's high-octane opening) ends in a three-way tie. On the way to the tie-breaker race in California, Lightning loses his way off Route 66 in the Southwest desert and is taught to stop and smell the roses by the forgotten citizens of Radiator Springs. It's odd to have such a slim story from the whizzes of Pixar, and the film pales a bit from their other films (though can that be a fair comparison?). Nonetheless, Cars is another gleaming ride with Pixar founder John Lasseter, who's directing for the first time since Toy Story 2. There's the usual spectrum of excellent characters teamed with appropriate voice talent, loads of smooth humor for kids and parents alike, knockout visuals, and a colorful array of sidekicks, including a scene-stealing baby blue forklift named Guido. Lightning's plight is changed with the help of former big-city lawyer Sally Carrera (Pixar veteran Bonnie Hunt), the town's patriarch Doc Hudson (Paul Newman), and kooky tow truck Mater (Larry the Cable Guy). The Incredibles was the first Pixar film to break the 100-minute barrier, but had enough story not to suffer; Cars, at 116 minutes (including some must-see end credit footage), is not as fortunate, plus it never pierces the heart. Trivia fans should have bonanza with the frame-by-frame DVD function; the movie is stuffed with in-jokes, some appearing only for an instant. Ages 5 and up. --Doug Thomas | ||||||||||
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Castle in the Sky | 1986 | 2 | Inspired by "Gulliver's Travels," the fantasy-adventure Castle in the Sky (1986) was Hayao Miyazaki's third feature, and helped to establish his reputation as a visionary in both Japan and America. The orphan Sheeta inherited a mysterious crystal that links her to the legendary sky-kingdom of Laputa. With the help of resourceful Pazu and a rollicking band of sky pirates, she makes her way to the ruins of the once-great civilization. Sheeta and Pazu must outwit the evil Muska, who plans to use Laputa's science to make himself ruler of the world. Castle echoes elements in Myazaki's earlier Nausicaä, and anticipates imagery in his later films, from My Neighbor Totoro to Spirited Away. Disney's new English dub, which features Anna Paquin (Sheeta), James Van Der Beek (Pazu), and Cloris Leachman (pirate matriarch Dola), is lively and close in tone to the original Japanese, if a bit talkier. The exciting flying sequences, appealing characters, and fantastic vision of a steam-powered future Jules Verne might have imagined make Castle in the Sky a must-have for fans of Japanese and Western animation. (Unrated: suitable for ages 10 and older: violence) --Charles Solomon | |||||||||||
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Cats | 1998 | 120 mins | Musical | 2 | ||||||||||
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Cellular | 2004 | 95 mins | Thriller; Action | 1 | SUSPENSE IS ON THE LINE! After getting a frantic call on his cell phone from a kidnapped woman, a young man must battle his way through a ruthless world of lies and murder to rescue her. A fast-paced thriller in the vein of Phone Booth and Speed that will keep you riveted with edge-of-your-seat car chase scenes. DVD Features: |
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Chain Reaction | 1996 | 1 | Anyone want to venture a guess that Keanu Reeves was sorry he passed up Speed 2 to make this turkey? Both a ridiculous suspense piece about a renegade intelligence community and an ill-considered hunk of do-gooder agitprop about alternative energy technology, Chain Reaction makes Reeves and almost everyone else involved look about as dumb as dumb can be. Hollywood's own Little Buddha plays a streetwise lab technician who survives an organized assault on his hydrogen-power project. The FBI assumes he's really a spy working for some foreign power, but the truth is that a CIA offshoot is behind the project's funding. Morgan Freeman plays the ramrod-straight company man who sabotages Keanu's excellent experiment, and Rachel Weisz portrays a physicist who goes on the run with the alleged saboteur. Directed by Andrew Davis (The Fugitive), who seems more interested in seeing how many absurd places he can mount a chase scene than offering a solid clue as to who these characters are and why we should care about them. --Tom Keogh | |||||||||||
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Changing Lanes | 2002 | 1 | Impeccably crafted and smarter than your average thriller, Changing Lanes proves that revenge is a dish best served cold. A high-powered attorney (Ben Affleck) learns that lesson the hard way after he flees the scene of an accident involving an insurance salesman (Samuel L. Jackson) who holds a powerful advantage in his retaliatory strike against the lawyer's arrogant behavior. Affleck has everything to gain if he can retrieve a lost document from Jackson, who has everything to lose (wife, family, savings) when threatened with financial sabotage. To his versatile credit, Notting Hill director Roger Michell never plays the race card in this escalating battle of wills, focusing instead on the percolating resentments of men at opposite ends of the economic scale. As he did in Eyes Wide Shut, actor-director Sydney Pollack chillingly embodies the venal elite in a pivotal supporting role, and Changing Lanes potently illustrates the wisdom of heeding a guilty conscience. --Jeff Shannon | |||||||||||
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Charlie and the Chocolate Factory | 2005 | 115 mins | 2 | Mixed reviews and creepy comparisons to Michael Jackson notwithstanding, Tim Burton's splendidly imaginative adaptation of Charlie and the Chocolate Factory would almost surely meet with Roald Dahl's approval. The celebrated author of darkly offbeat children's books vehemently disapproved of 1971's Willy Wonka and the Chocolate Factory (hence the change in title), so it's only fitting that Burton and his frequent star/collaborator, Johnny Depp, should have another go, infusing the enigmatic candyman's tale with their own unique brand of imaginative oddity. Depp's pale, androgynous Wonka led some to suspect a partial riff on that most controversial of eternal children, Michael Jackson, but Burton's film is too expansively magnificent to be so narrowly defined. While preserving Dahl's morality tale on the hazards of indulgent excess, Burton's riotous explosion of color provides a wondrous setting for the lessons learned by Charlie Bucket (played by Freddie Highmore, Depp's delightful costar in Finding Neverland), as he and other, less admirable children enjoy a once-in-a-lifetime tour of Wonka's confectionary wonderland. Elaborate visual effects make this an eye-candy overdose (including digitally multiplied Oompa-Loompas, all played by diminutive actor Deep Roy), and the film's underlying weirdness is exaggerated by Depp's admirably risky but ultimately off-putting performance. Of course, none of this stops Burton's Charlie from being the must-own family DVD of 2005's holiday season, perhaps even for those who staunchly defend Gene Wilder's portrayal of Wonka from 34 years earlier. --Jeff Shannon DVD features Roy is a constant throughout the kids' activities as well. You can follow him to learn two different dance steps "Augustus Gloop" and "Violet Beauregarde," and make him taste weird candy inventions in a simple game. "Search for the Golden Ticket" is a five-part challenge that tests your remote-control fingers, your deductive abilities, or your luck. Finally, if you just want basic behind-the-scenes information, "Making the Mix" is a collection of featurettes (around 40 minutes total) covering the film's casting, music, production design, and special effects. --David Horiuchi |
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Charlie's Angels | 2000 | 98 mins | Action; Comedy; Adventure; Mystery | 2 | Three women, detectives with a mysterious boss, retrieve stolen voice-ID software, using martial arts, tech skills, and sex appeal. | |||||||||
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Charlie's Angels: Full Throttle | 2003 | 106 mins | Action; Comedy; Adventure; Mystery | 1 | The Angels investigate a series of murders that occur after the theft of a witness protection profile database. Their prime suspects? A "fallen angel" (Moore) who was once their ally and the Creepy Thin Man (Glover). | |||||||||
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Chasing Amy | 1997 | 111 mins | Comedy; Romance; Drama | 1 | Holden and Banky are comic book artists. Everything's going good for them until they meet Alyssa, also a comic book artist. Holden falls for her, but his hopes are crushed when he finds out she's a lesbian. | |||||||||
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Child's Play | 1988 | 87 mins | 1 | Horror maestro Tom Holland (Fright Night) brought wit and devilish energy to this 1988 scarefest about a murderer (Brad Dourif) who wills his soul into an innocuous doll named Chucky, and reveals himself only to the toy's owner, a frightened little boy. Catherine Hicks plays the child's mother, and Chris Sarandon a detective; neither of them knows what to make of the kid's story. Monster-doll stories are always wonderfully surreal, and Child's Play is no exception. Holland oversees some finely tuned special effects that allow Chucky to express himself and do some damage--it is truly unnerving but somehow good, subversive fun. --Tom Keogh | ||||||||||
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Chucky Collection | 3 | |||||||||||||
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Seed Of Chucky | 2004 | 1 | Yep, that ugly toy with the killer's instinct is back for a fifth round of irreverent bloodshed in Seed of Chucky. Chucky and his plastic partner Tiffany are reanimated by their child, a gentle doll of indeterminate gender who'd prefer that his parents stopped their knife-wielding ways. No such luck. In an attempt at irony that also includes John Waters as a tabloid reporter, Jennifer Tilly (who also voices Tiffany) is asked to play herself, a B-grade actress tired of being stuck in a movie filled with murderous dolls. She courts rap star Redman, playing himself, when she hears he's looking for someone to play the mother of Jesus in a new film. Chuck, Tiffany, and spawn naturally interrupt such ridiculous plans. Writer/director Don Mancini has the trio doing things you have to see to believe, including a vivid disembowelment and a human impregnation featuring a turkey baster filled with, you guessed it, the seed of Chucky. It's junk, sure, and tension-free, but Tilly's willing self-debasement is fairly jaw-dropping. If you're so inclined, her shameless decision to play along may be reason enough to suffer the consequences.--Steve Wiecking | |||||||||||